About

G5A imprint is a literary arts and culture magazine that believes in the contemplative and reflective power of stories and storytelling. For too long we’ve been told stories from a select set of perspectives. Our intent is to create a space where we can change that. Today, stories are more important than ever before, and we’re here, ready to tell them and waiting to hear them.

Our stories are presented across a wide range of mediums, formats, and of course perspectives, where you will discover prose, poetry, photography, film, and more.

The magazine is presented online and in print.

our magazine is divided into four sections:

our team
Ishan Benegal, editor-in-chief
Shradha Gulrajani, editor
Indira Chandrasekhar, mentor-editor


contact

We accept submissions.
For more details please check our submission page.

Volume 09

clay | chlorophyll | crimson

Grass is green where you water it. LC’s words float along over Misch’s guitar. It’s a phrase that feels so obvious, and I’m sure those who tend to gardens know this more than most, but it seems to land more than before. The impact noticeable, memorable, echoing through my being. Perhaps we’re ingrained to think it’s greener elsewhere. This patch is the problem and not whether we’re watering it. The key is in the watering. How we go about this practice is what defines our patch of grass. No matter where we go, our patch is, perhaps, the same. Some attributes and characteristics have been changed but the essence is the same: Us.

Stepping into Volume 09 of imprint, marks our third year. I am learning that this patch of green that we have been tending to for the last several years will mould, shift, and sculpt. This depends on how we water it and allow it to take its own shape. It has already happened in wonderfully unexpected ways. There is only so much structure or shape we can predetermine. Beyond that, it will absorb what it needs and reject all that is unnecessary. And perhaps, in this practice, we are changed. Our grass is watered as we water that of our writing, our image making, our practice, our magazine.

From light to dark, rigid to supple, new to old, there is so much in between that is bright and vibrant and unexpected. The practice of our magazine has focused on being open to what we receive; being open to deeply listening to what is shared; being open to work taking us to new journeys. This volume, and this year, will be no different. We will continue tending to it as we have done, learning along the way, from past seasons and present ones.

And yet, I know it will be entirely different.
But still.
It will be watered.