beyond the tree

Photo Essay by Diya Batra

I was told we are going to witness an old, huge sacred tree by the river.
Sitting in the bus, I could not think of anything else but the tree.

How big would it be?

At the spot, will there be someone glorifying its past to us?

Will I believe it?

What will others say about it?

Other than the tree, I remember eating so many oranges that day.
Peeling one after another.

A bus was rented for the day to Mathura, Uttar Pradesh. The people in the bus, all in the middle of old age, were familiar to me because of my mother. While I was thinking about the tree and eating oranges, everyone else was chanting aloud. They did so, because they believed it to be one’s duty as they approached the land of their beloved Krishna.

The image of the big tree is missing. After enquiring about its whereabouts a few times, I forgot about it.  

It became easier to forget about it, since other things there had my attention.  I wondered if the tree actually existed. I also wondered if my mother had not bought up the big tree, would I have agreed to be on the bus with people carrying their beliefs?  Or amidst this spiritual voyage we forgot all about reaching where it rests.

Volume 09

clay | chlorophyll | crimson

Grass is green where you water it. LC’s words float along over Misch’s guitar. It’s a phrase that feels so obvious, and I’m sure those who tend to gardens know this more than most, but it seems to land more than before. The impact noticeable, memorable, echoing through my being. Perhaps we’re ingrained to think it’s greener elsewhere. This patch is the problem and not whether we’re watering it. The key is in the watering. How we go about this practice is what defines our patch of grass. No matter where we go, our patch is, perhaps, the same. Some attributes and characteristics have been changed but the essence is the same: Us.

Stepping into Volume 09 of imprint, marks our third year. I am learning that this patch of green that we have been tending to for the last several years will mould, shift, and sculpt. This depends on how we water it and allow it to take its own shape. It has already happened in wonderfully unexpected ways. There is only so much structure or shape we can predetermine. Beyond that, it will absorb what it needs and reject all that is unnecessary. And perhaps, in this practice, we are changed. Our grass is watered as we water that of our writing, our image making, our practice, our magazine.

From light to dark, rigid to supple, new to old, there is so much in between that is bright and vibrant and unexpected. The practice of our magazine has focused on being open to what we receive; being open to deeply listening to what is shared; being open to work taking us to new journeys. This volume, and this year, will be no different. We will continue tending to it as we have done, learning along the way, from past seasons and present ones.

And yet, I know it will be entirely different.
But still.
It will be watered.