did I love enough

Photo Essay by Janvi Bhardwaj

Since I was a child, I was attached to my grandmother the most. I spent most of my time with her. I remember coming home after school and sitting in her lap to tell her how my day went. Our appearance was also somewhat alike. As a child, I would wonder what would happen if one day she died. I would be all alone because I don’t share the same bond with my parents. All these feelings of loss, grief, and fear used to scare me. The thought alone made me cry for hours.

But then one day, when I was only 14, she left me.

I got a call from my parents, who were in hospital, that she’s no more. I was literally shivering. I felt empty. I didn’t cry or feel sad. I expected to feel so much and so the emotional numbness was especially disturbing.

I refused to see her on the day of the funeral because I didn’t want to picture her lying there lifeless. It was like I got on the roller coaster, and as it climbs, falls, twists, and turns, I realize that I felt nothing. Around me, everyone else seemed to respond how I imagined I would: they’re crying; they’re letting it all out and encouraging me to let it all out. I know I was sad about the death, but for some reason, I wasn’t responding to it how they were. I felt different in my grieving. I wasn’t crying.

All I was doing was questioning my love for her.

Volume 09

clay | chlorophyll | crimson

Grass is green where you water it. LC’s words float along over Misch’s guitar. It’s a phrase that feels so obvious, and I’m sure those who tend to gardens know this more than most, but it seems to land more than before. The impact noticeable, memorable, echoing through my being. Perhaps we’re ingrained to think it’s greener elsewhere. This patch is the problem and not whether we’re watering it. The key is in the watering. How we go about this practice is what defines our patch of grass. No matter where we go, our patch is, perhaps, the same. Some attributes and characteristics have been changed but the essence is the same: Us.

Stepping into Volume 09 of imprint, marks our third year. I am learning that this patch of green that we have been tending to for the last several years will mould, shift, and sculpt. This depends on how we water it and allow it to take its own shape. It has already happened in wonderfully unexpected ways. There is only so much structure or shape we can predetermine. Beyond that, it will absorb what it needs and reject all that is unnecessary. And perhaps, in this practice, we are changed. Our grass is watered as we water that of our writing, our image making, our practice, our magazine.

From light to dark, rigid to supple, new to old, there is so much in between that is bright and vibrant and unexpected. The practice of our magazine has focused on being open to what we receive; being open to deeply listening to what is shared; being open to work taking us to new journeys. This volume, and this year, will be no different. We will continue tending to it as we have done, learning along the way, from past seasons and present ones.

And yet, I know it will be entirely different.
But still.
It will be watered.