either here or there

Illustrations by Pia Alizé Hazarika

The more I think about it, the more I realise that I might not have been ‘home’ since 2005.

I left for college. Then extended my stay in Bangalore for another 4 years.
Moved back to Delhi, but it wasn’t ‘home’ because of my parents’ proclivity to shift every few years – moving
further and further away from the city center.
Every time I came back, it was to a new house.
I moved to my own apartments, by myself, with people but nothing stuck.
I moved to Bombay –that lasted 8 months.
And then I moved back to Delhi.
I’ve been there for 2 years now but I still have a suitcase sitting in the corner of my room.
Throw in a few other places like Assam, Chennai, Kolkata, and Goa and that pretty much rounds up where I’ve lived over the last 15 years, and felt like I was home, but at the same time – displaced, half occupied cupboards and the suitcase – always sitting in the corner of my room.

Nothing ever felt like home. There were houses, sure. But not homes.

I understand there’s a certain amount of privilege that comes with constant ‘travel’, but it’s been for births and deaths, celebrations and sickness, love and eventual heartbreak – or just a ‘come stay a while’ Life (and I) seemed to have been in a constant physical state of flux.

That would explain why my things are spread all across the country.
Why most of the cities I have lived in, still familiar rather than alien.
Why there is relief and familiarity every time a plane lands.

Why for the last few years, my friends had a running joke about how I’m a *insert city of choice* based Illustrator.

I realise that maybe home isn’t a physical space, but it’s the people.
The ones that inhabit each of these places.
The ones that have seen me through different phases of my life – like four walls and a roof should.
Every time I go to them, I feel like I’m coming home.

Volume 09

clay | chlorophyll | crimson

Grass is green where you water it. LC’s words float along over Misch’s guitar. It’s a phrase that feels so obvious, and I’m sure those who tend to gardens know this more than most, but it seems to land more than before. The impact noticeable, memorable, echoing through my being. Perhaps we’re ingrained to think it’s greener elsewhere. This patch is the problem and not whether we’re watering it. The key is in the watering. How we go about this practice is what defines our patch of grass. No matter where we go, our patch is, perhaps, the same. Some attributes and characteristics have been changed but the essence is the same: Us.

Stepping into Volume 09 of imprint, marks our third year. I am learning that this patch of green that we have been tending to for the last several years will mould, shift, and sculpt. This depends on how we water it and allow it to take its own shape. It has already happened in wonderfully unexpected ways. There is only so much structure or shape we can predetermine. Beyond that, it will absorb what it needs and reject all that is unnecessary. And perhaps, in this practice, we are changed. Our grass is watered as we water that of our writing, our image making, our practice, our magazine.

From light to dark, rigid to supple, new to old, there is so much in between that is bright and vibrant and unexpected. The practice of our magazine has focused on being open to what we receive; being open to deeply listening to what is shared; being open to work taking us to new journeys. This volume, and this year, will be no different. We will continue tending to it as we have done, learning along the way, from past seasons and present ones.

And yet, I know it will be entirely different.
But still.
It will be watered.