often I misquote Kabir couplets from memory

Poem by Kartikay Agarwal

When we long ago looked at pictures

in Geography textbooks

Of pedestal rocks

that have stood through time, as time

eroded

their very foundation,

it was not easy
to imagine the hard stone

cut

by knives of sand and wind.

A rock must always exist

as it is present –
an unchanged mass
–bound in solid unity.

But isn’t that rock too

made of the same sand,

millions of grains

layered together,

cohabiting a whole?

And in that dichotomous way

that mushroom-like rock, and every

other rock is the same as the flaccid, fragile,

flexible, human body–

comprising a million independences

into a codependence

rooted in space-time.

But what of will and resilience,
those notions omniscient entities

held in the imaginary core

of the human self?

Will, too can be broken down

(for purposes of childlike curiosity)

and seen in the way
feathers layer one upon the other

to resist gravity–enough

to hold a bird adrift
in its willed direction.

Do weary feathers lose their will
with the resistance of each flight?

Do birds know when enough is lost,
to stop plunging into the wind?

If we looked at the rock close enough,

and long enough,

don’t you think we would witness

the melting of that pedestal

as grain after sand grain loses its urge to hang on,
and falls?

If that fluid moment froze

while the margin of the rock was

a smudge,

and you saw each speck of sand

in the boundary

held in place         individually

mid-dis  e  n  t  a  n  g  l  e  m  e  n  t

would you not wonder if the sands buried

heart-deep in the rock,
are aware of their dwindling foundation?

The unravelling must be abrupt–

the rock, uprooted violently

from our reality

as its foundation refuses

to bear silent erasure
–an unsuspecting caravan

traversing this ever-shifting desert

losing its mark of permanence.

At seventy-seven, Dadi* is still a rock / tears have
rarely corroded her skin / a third of a century
is a long time / air too can erode mountains
–just takes longer than water.

At what point do you ask yourself

if it is the rock

–which is sand and would be buried in sand–

that you worry about
or
the seism its fall would cause

making the earth below your feet

ripple.


* Daadi – Paternal grandmother

Volume 10

contact | shadow | fringe

I’ve been reflecting on the theme for our tenth volume, a lovely milestone that coincides serendipitously with the warehouse’s tenth year, and how it feels apt for the moment we find ourselves in currently. The theme straddles a threshold. The movement from this side to the far side. It isn’t inherently accompanied by an emotion. And yet, I feel it suggests a sense of hopefulness. 

This isn’t in a vacuum but is influenced by two events that concern themselves with a tremendous threshold: our atmosphere and the expanse beyond it. I am referring to the successful flyby mission around the moon by the Artemis II and the release of the film “Project Hail Mary” (adapted from Andy Weir’s novel of the same name). These two events, coinciding in this manner, serve less as random happenstance and more as a reminder, as Carl Sagan said, “The Cosmos is within us. We are made of star-stuff.” A reminder that everything out there, is also everything in here. It serves as a reminder for hope that as we resume our exploration of the darkest depths of the universe, we must take that strength to step forward from our own personal shadows.

Shadows can be freeing. There is comfort in creating, expressing, and working without scrutiny or pressure or expectation. It has potential for great freedom, movement, and discovery. However, when the driving force isn’t exploration then it can be crippling and lead to paralysis. In those moments, “coincidental” events like these can be arresting and provide a sense of hope that the next step is all that matters. One step at a time soon becomes many past an imposing threshold. As we gather momentum, pressure is bound to build. It is here, with changed circumstances, that the intention must persevere. Learning the rules, allows the impact of breaking them to feel that much sweeter, but that isn’t necessary. Acting from pure instinct allows for an innate expression to present itself. It is balancing this, instinct versus experience, that proves vital to take experience into one’s stride with child-like instinct and intention.

Our focus, at imprint and G5A, on independent stories allows this freedom. It is something we work to preserve so that the experience of ten volumes and ten years, respectively, does not weigh us down but lifts us up through the shadows and into the expanse. This is not easy but it is simple. When you default to curiosity and wonder, it isn’t a matter of ‘if’ but ‘when’.

We’re excited for Volume 10 and everything it will hold.